William Blake
b. 1991, Oshkosh, WI
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting, Blake uses oil and linen to depict US Marines’ reenacting the 1922 Marine Corps at the Gettysburg battlefield. After the First World War, the Marine Corps hosted summer exercises and reenactments at Civil War battlefields. The largest and most attended of these events was the 1922 Gettysburg event which consisted of an accurate (no tanks, planes) reenactment of Pickett's Charge. In the summer of 2020, William Blake organized a reenactment in cooperation with the United States Marine Corps Historical Company. who posed for this series of paintings. Blake collapses histories and myths into a contemplative look at our Battlefield.
William Blake lives and works outside Chicago, IL. As a participant in Civil War reenactments across the country, he portrays the artist Winslow Homer. A graduate of the University of Illinois at Urbana-Champaign, he also holds a Master of Fine Arts from the Tyler School of Art at Temple University. He currently teaches Figure Drawing at Harper College. His work has been published in Fine Art Connoisseur, New American Paintings, The Chicago Tribune, and American Art Collector. He has been a resident artist at the Berkshire Painting Residency, the Vermont Studio Center, the Cuttyhunk Island Residency, and the Lincoln Legacy Residency.
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Salud Johnny
oil on linen
76 x 36 inches
price: 11,000.
From the series, The Lincolns: Portraits of Hugh Goffinet
Ramparts
oil on linen
24 x 30 inches
price: 5,000.
From the series, The Lincolns: Portraits of Hugh Goffinet
No Parasan
oil on linen
48 x 30 inches
price: 7,500.
From the series, The Lincolns: Portraits of Hugh Goffinet
Portrait of Aurora
oil on linen
84 x 48 inches
SOLD
This portrait of Civil War reenactor Aurora Schaar was painted from the 2017 Neshaminy Civil War Reenactment. In a croquet match hosted by artist William Blake, Schaar participated in a tableau of Winslow Homer’s croquet paintings. Like Diego Velasquez’s “Portrait of Pablo de Valladolid” and Edouard Manet’s “The Tragic Actor” she is a performer in black. The croquet match is a space to endlessly play through the past. The players play through war renewing the gestures of a national trauma. They gesture with respect and the desire to educate, to humble, and to play. This croquet is like the battle reenactment, the embalming demonstration, the Abolitionist speech reread… there will always be an uneasy intersection between entertainment and trauma as well as the presentation of the liminal space reenactment inhabits; between life/death, past/present, and simulation/reality.
Sharpshooter
oil on linen
16 x 20 inches
SOLD
"I was not a soldier but a camp follower and artist. The above impression struck me as being as near murder as anything I ever could think of in connection with the army & I always had a horror of that branch of the service." -Winslow Homer
Incredulity
oil on canvas
40 x 30 inches
Price: 5,200.
Caravaggio painted The Incredulity of St. Thomas with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death.
Reenactment is a material culture where the feel of authentic wool is transformative. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side are these repetitive questions.
Sketch for A Grand Review II
india ink on blue paper
18.5 x 13.5 inches
Price: 550.
Wounded Marine Being Given a Drink from a Canteen
graphite on paper
17 x 22 inches
Price: 350.
Embalming
oil on linen
This painting depicts an embalming reenactment with reenactors John Plourde and John Austin. In the Summer of 2016, outside the Elmhurst Art Museum, William Blake embodied the artist-correspondent Winslow Homer as he performed a figurative painting demonstration with Union Cavalry reenactor John Plourde as the model. After the painting demonstration was completed, John Plourde was then theatricaly embalmed by reenactor Jon Austin as the embalmer Dr. Lyford. Jon Austin described the process of preserving soldier's bodies during the American Civil War. Both performances relied on the impact of the visual and use of the body as a document through time.